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14-day money back guarantee included if product is not activated
You can purchase from Gear4music with complete confidence and peace of mind. All of our digital products come with a 14-day money-back guarantee as standard.
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For more information, please refer to our Returns and Refunds Information.
If you decide your order isn't suitable for any reason you can return it - just let us know within 30 days of receiving it. Please keep hold of all the original packaging until you're sure you want to keep the order.
Eligibility for Money Back Guarantee
Important: For hygiene and software licensing reasons, some items are only eligible for our Money Back Guarantee if they are returned to us unused and sealed in the original packaging with all software still "unregistered." Details of exclusions are shown within the product descriptions. Products include:
- Monitors and Headphones
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We can collect your return for a small fee, or you can send it back to us yourself. The collection fee can be found in the returns information on each product's page on Gear4music.
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This table provides an overview of your statutory consumer rights, compared with our standard returns policy and optional extended money back guarantee and warranty.
| UK & Europe | EU Standard | Gear4music Standard | Gear4music Optional |
|---|---|---|---|
| Return Period | 14 days | 30 days | up to 180 days |
| Standard delivery charges refunded? | Yes | Yes | Yes, up to 30 days |
| Upgraded delivery charges refunded? | Standard costs only | Standard costs only | Standard costs only |
| Free collection on cancellation | No | No | Yes, up to 30 days |
| Free collection if defective, delivered damaged or incorrect item | Yes, within 14 days | Yes, within 14 days | Yes, within 30 days |
We are unable to accept returns of any custom made items designed to work together as a unique package and some items are only eligible for money back guarantee if they are returned to us unused and sealed in the original packaging. For full information on our returns policy, please refer to our returns and refunds information guide.
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Key Features
The Arturia Jun-6 V is an authentic plug-in emulation of a famous Japanese-made polysynth. Emulated with Arturia's True Analog Emulation technology, the sound and feel of this classic instrument have been distilled into an intuitive plug-in for your DAW. Responsible for a large array of '80s tones, the character of Jun-6 V is unmistakable, delivered through a combination of a single DCO, fat sub-oscillator, VCF, two analog-modelled filters and the signature chorus module.
Remaining faithful to the hardware origin, Jun-6 V employs all of the parameters you'd expect from this industry legend. Three-mode arpeggiator, Unison and Portamento controls, free-running phase oscillators and more combine with a wealth of new additions to enhance Jun-6 V for modern production requirements. Three voice-calibration states enable you to digitally age your plug-in for more chaotic and unpredictable sounds and can work in tandem with the Voice Detune switch for authentic analog behaviour. Customisable Chord mode, augmented LFO and envelope modules, studio-quality effects, MIDI-assignable Bender and Mod/LFO wheel controls, assignable macro controls and more present even more flexibility over your sound design that would be possible on the hardware counterpart.
Product Ref: 254492
Traversing familiar territory, Jun-6 V offers the simplicity of the onboard DCO and BBD chorus all in a convenient plug-in. Enhancing the authentic experience of this classic polyphonic synth, Arturia has included three different levels of analog voice dispersion. Subtle changes to the virtual internal parameters create a different character and response, much like ageing hardware will. From squeaky clean to rough around the edges or somewhere in the middle, the filter cut-off and VCA envelope attack will all be affected.
Just like the hardware counterpart, Jun-6 V encompasses the classic arpeggiator and makes it even easier to use. Three modes are included from Up, Up + Down and Down to help you interweave chords or melodies with hypnotic patterns on the fly. Simple and intuitive, this arpeggiator removes any complex parameters and menus in favour of highly-musical response suitable for any genre or application. Try coupling the arpeggiator with Jun-6 V's Chord mode to transform simple melodic patterns into full arrangements, complete with individually-assigned diatonic chord voicings.
Quintessential for this '80s synth, Jun-6 V perfectly emulates the simple twin filters of the '80s ancestor. Go for low-pass warmth with the beautiful -24dB/oct low-pass resonant filter or create tension and risers before explosive drops with the non-resonant HPF.
Almost as famous as the synthesizer it's utilised in, Jun-6 boasts the same BBD-driven chorus module. In one simple switch, enhance your sound with subtle stereo width and deliciously dynamic movement.
A rebirth of a classic, Arturia Jun-6 V expands on this classic polysynth icon with extra modulation and FX to offer more versatility than ever all without compromising what made the original hardware so revered. Renowned for its simplicity, Jun-6 V maintains the same basic structure of meticulously-modelled DCOs, simple yet powerful twin filter setup, LFO, envelope and three-mode stereo chorus and tweaks it slightly to meet the expectations of modern musicians and producers.
Taking advantage of all the digital realm has to offer, Jun-6 V includes MIDI-controllable mod wheel, velocity and aftertouch controls, enabling changes in the DCO or VCF on-the-fly. You can also assign the velocity and aftertouch to a modulation destination for exciting dynamics with every touch of your keyboard.
Expanded modulation is highlighted with the inclusion of not one, but two multi-waveform LFOs and envelopes. The second ADSR envelope features two freely assignable destinations, the same story for LFO 2. Small upgrades, big difference, unaltered useability!
Opening the Advanced tab, you'll discover integrated effects inside Jun-6 V. A spacious reverb and vintage-inspired delay is included to help take the unmistakable sound of a Jun-6 V and add a sound design twist to it. Wherever ambience is needed in your pop chord progression, plucked lead trap lines or rhythmic complexity for arpeggios, the onboard delay and reverb are here to serve.
First released in 1982, the hardware predecessor to the Jun-6 V came into the market at a time during fierce competition for higher voice counts, more controls and more broad tonal options. Striking a delicate balance between ease of use and vivid sound design potential, the Jun-6 V put polyphonic luxury into the hands of the average musician.
Leaving a lasting impression on the synth design industry and musical world, a combination of intuitive layout, DCO tuning stability and deceptively complex tones were heralded as the driving factors behind its success. Undeniable in influence and simply stunning versatility, the hardware Jun-6 V can be heard in the glossy pop stylings of A-ha to the ethereal atmosphere of Vangelis, even being a key player in the emergence of Chicago house, Jun-6 V offers the same raw power in your music.
Using proprietary modelling algorithms, the Jun-6 V can recreate the iconic hardware down to the component parts to create unrivalled realism and immersion. Unmatched in analog emulation, Jun-6 V is powered by TAE and Phi technologies. TAE offers component-level modelling to accurately present the characteristics and behaviour of the hardware, whilst Phi's state-of-the-art physical modelling brings the acoustic properties into the virtual world for hyper-realism. The result is truly a next-level sound that is indistinguishable from the original to add to your productions.
"I get inspired right away when using the Jun-6 V. Efficiency is really important to me when creating. The sound and UI from Arturia is intelligent and allows me to focus on creating." - Nosaj Thing (Producer)
"If you're a Juno-60 lover like I am, you'll really appreciate being able to control your favourite sounds in brand new ways. The lush warmth, the character and controls are all there. What's better than a Juno? 10 instances of it." - Marc Houle (DJ / Producer)
"I value the V-Collection for the way it puts rich, characterful sounds within easy reach. The Jun-6 V is a great addition: the interface is simple with a few smart touches and the sound is great." - Minor Science (Producer)
