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14-day money back guarantee included if product is not activated
You can purchase from Gear4music with complete confidence and peace of mind. All of our digital products come with a 14-day money-back guarantee as standard.
If you decide you don't want your order, you can return it within 14 days of receiving it. Provided your product hasn't been activated in that time, you can exchange it for a different product, or get a refund.
We will only issue a new product or refund if the supplier confirms that your product has not been activated. At the same time, we will ask them to invalidate it so that it cannot be used in the future.
This does not affect your statutory rights.
For more information, please refer to our Returns and Refunds Information.
If you decide your order isn't suitable for any reason you can return it - just let us know within 50 days of receiving it. Please keep hold of all the original packaging until you're sure you want to keep the order.
Eligibility for Money Back Guarantee
Important: For hygiene and software licensing reasons, some items are only eligible for our Money Back Guarantee if they are returned to us unused and sealed in the original packaging with all software still "unregistered." Details of exclusions are shown within the product descriptions. Products include:
- Monitors and Headphones
- Earplugs and Ear Protection
- Reeds and mouthpieces for woodwind and brass instruments
- Mouth and Lip-Care Products
- CDs, DVDs and Software
We can collect your return for a small fee, or you can send it back to us yourself. The collection fee can be found in the returns information on each product's page on Gear4music.
In the unlikely event that any item in this order is faulty, damaged or incorrect on receipt, notify us within 14 days and we'll arrange a free collection.
When returning an order please ensure products are appropriately packaged and protected, to prevent them from getting damaged.
This table provides an overview of your statutory consumer rights, compared with our standard returns policy and optional extended money back guarantee and warranty.
| UK & Europe | EU Standard | Gear4music Standard | Gear4music Optional |
|---|---|---|---|
| Return Period | 14 days | 50 days | up to 180 days |
| Standard delivery charges refunded? | Yes | Yes | Yes, up to 30 days |
| Upgraded delivery charges refunded? | Standard costs only | Standard costs only | Standard costs only |
| Free collection on cancellation | No | No | Yes, up to 30 days |
| Free collection if defective, delivered damaged or incorrect item | Yes, within 14 days | Yes, within 14 days | Yes, within 30 days |
We are unable to accept returns of any custom made items designed to work together as a unique package and some items are only eligible for money back guarantee if they are returned to us unused and sealed in the original packaging. For full information on our returns policy, please refer to our returns and refunds information guide.
Key Features
Acon Digital Verberate 2 is a highly versatile convolution reverb plugin for Windows and Mac. Boasting a plethora of unique sound design options, Verberate 2 will quickly become your go-to in the studio when you need to add depth, space and character to instruments in your mix. Jam-packed with various unique real acoustic spaces as well as accurate plate emulations, Verberate offers every reverb style you will need to fit the context of any instrument, group or full bus.
Immaculate in sound, Verberate 2 enhances your performances and blends seamlessly with the source tones for unrivalled detail and clarity. Coupled with a comprehensive set of features to manipulate and cater for your reverb, you'll be able to find the sound in your head. Typical parameters are included such as Room Size, Reverb Time etc. as well as two advanced graphic representations to adjust the overall output EQ as well as frequency-dependent reverb decay.
Product Ref: 219308
For any music producer, you will understand the importance of reverb within a mix. It helps to give dimension, space, width and realism to sound sources that could otherwise sound too dry, monotonous and lifeless. Reverb is a unique effect, in that its sole purpose is not to be used to transform a sound from one thing to another as is the case with phasers or flangers, but instead, it needs to serve the performance and enhance what is already there. Because of this, reverb needs to highlight the musicality and melody in what you are performing and this is exactly where Verberate 2 shines.
Instruments recorded in dry rooms with little to no room microphone influence can benefit from the natural ambience that Verberate 2 can bring to your tracks. Whether you're looking to add extra decay to a drum kit or add a natural ambience to a vocal track recorded in a dead room, Verberate 2 can do it all.
Several highly realistic spaces have been accurately distilled into Verberate 2, letting you explore unique soundscapes ranging from small vocal rooms to large, deep caves. Each real space features unique variations in characteristics due to the change in air pressure and current. These differences may seem subtle but they have a big impact on the reverb tail, altering how your signal naturally decays. New to Verberate 2 is the Vivid Hall algorithm which authentically models these slight variations without any resonances or other distracting artefacts to create the true sound of real hall spaces with a higher degree of realism.
Not simply limited to acoustic spaces, Verberate 2 also accurately simulates plate reverbs, with realistic dispersion and decay characteristics. Plate reverbs often present unique phenomena whereby the high frequencies travel faster than low-frequencies due to their wavelength, meaning they are moved around in the room much more. This is called Dispersion and plays a key part in the sound of plate reverbs. Verberate 2 has excelled at capturing this sonic curiosity through the Dispersion parameter, allowing you to realistically simulate differing reverb tail lengths of the high frequencies, that when combined with the Decay editor, gives you tremendous levels of customisation. Plates reverb are ideal for electronic-based music as they will often exude a transient rich character that helps to add punch and attack to your drums and electronic percussion, helping to cut through even the densest of mix.
Where other reverb plugins may offer a static look into the sound of the reverb algorithm used, Verberate 2 goes one step beyond this to give you a plethora of tools to customise and craft your reverb exactly to your mix. Along with the traditional controls you'd expect from a reverb plugin, namely reverb time, room size, reverb level etc. Verberate 2 also presents the ability to process the early reflections and reverb tail independently, opening new worlds of tonal variation.
The 15 early reflection patterns offered are algorithmic, calculated in real-time and applied using convolution. A dense and resonance-free late reverb tail follows the early reflections, resulting in extremely convincing room simulations with impressive depth combined with the flexibility algorithmic reverbs are known for.
Perhaps most important of all is the two graphical EQs that are delivered in a sleek and familiar user interface, with a simple click and drag controls. These graphics allow you to adjust the frequency-dependent decay time and the main output equaliser. The decay editor makes it possible to sculpt the frequency-dependent reverb decay, allowing you to exaggerate or reduce the frequency within the tail of your reverb. This is ideal when working with frequency-specific instruments such as a bass guitar or main vocal, customising the frequencies to your source for optimised fidelity. The main output EQ is ideal when working with large groups of instruments, or even full mixes, catering the reverb to the full frequency range for more or less pronounced frequencies.
Of course, for less acclaimed producers, Verberate 2 also offers a tremendous library of choice to dive right into what sounds can be produced by this versatile plugin, taking away any barriers that might inhibit your musical output. These sounds are arranged in specific folders, with the ability to save your favourites as presets to recall in future sessions.
