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Key Features
The Doepfer A-110-1V Standard VCO Vintage Edition is a powerful module with a sawtooth oscillator at its core. It features a frequency range of 15Hz to 8kHz, equating to roughly eight octaves, with the ability to produce four simultaneous waveforms from triangle and sawtooth, to rectangle and sine waves. The wide frequency range is the perfect starting point for sound design, allowing you to create unique tones with a few touches.
Product Ref: 220482
The Doepfer A-110 features a Sawtooth waveform with a "cutting" sound that is rich and full of harmonic overtones. All of the harmonics of the fundamental are present, with a linear reduction in intensity as the harmonic series progresses. This means that the second harmonic is half as strong, the third is one third, the fourth a quarter, and so on. Sawtooth waves are perfect for synthesizing percussion, brass, or vocal timbres.
The A-110 is also equipped with a Square waveform that can have its pulse width modulated manually or via CV. A symmetrical/square pulse wave has only odd harmonics of its fundamental, resulting in a typically "hollow" sound. The further that the pulse width deviates from fifty percent, the weaker the lower harmonics become, and the more the sound takes on a thin/nasal characteristic. Square waves are perfect as a sound source for subtractive synthesis due to their naturally rich overtones. They're ideal for producing woodwind-like timbres.
On top of square and sawtooth, the A-110 also features a triangle waveform. Triangle waves are generally poor in the upper harmonics, but produce a much softer, more mellow sound overall. They only contain odd harmonics, whose strength decreases exponentially (the third harmonic is ninth as strong, the fifth 1/25, and so on). Due to their soft, rounded sonic characteristics, triangle waves are perfect for synthesizing flute, organ, and vibe-type timbres.
Finally, the A-110 is also equipped with Sine wave generation. Sine waves are pure waves, containing just the fundamental without any harmonics. They aren't the most suitable waveform for subtractive synthesis, but can used to produce incredible tones none-the-less.